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Theodore   Gericault Landscape with an Aquaduct oil painting


Landscape with an Aquaduct
Painting ID::  75581
Theodore Gericault
Landscape with an Aquaduct
English: One of a project set of four landscapes depicting times of the day, of which only three were completed.Probably could do with some colour adjustment, the top of the image is lighter due to prevailing light conditions in the museum, and the white/yellow is not strong enough. Finally the left-side structure, according to the miniature on the Met site, is apparently slightly red-tinged. Date 1818(1818) cyf

   
   
     

Theodore   Gericault Portrait Study of a Youth oil painting


Portrait Study of a Youth
Painting ID::  77897
Theodore Gericault
Portrait Study of a Youth
um 1819-20 , oil on canvas c. 1818-20, Kimbell Art Museum cjr

   
   
     

Theodore   Gericault Portrait Study of a Youth oil painting


Portrait Study of a Youth
Painting ID::  81212
Theodore Gericault
Portrait Study of a Youth
oil on canvas painting by Thxodore Gxricault, c. 1818-20, Kimbell Art Museum Date um 1819-20 cyf

   
   
     

Theodore   Gericault Raft of the Medusa oil painting


Raft of the Medusa
Painting ID::  85727
Theodore Gericault
Raft of the Medusa
oil on canvas c. 1818 cyf

   
   
     

Theodore   Gericault Offizier der Gardejager beim Angriff oil painting


Offizier der Gardejager beim Angriff
Painting ID::  91520
Theodore Gericault
Offizier der Gardejager beim Angriff
1812(1812) Medium oil on canvas Dimensions Deutsch: 292 x 194 cm cyf

   
   
     

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     Theodore Gericault
     French Romantic Painter, 1791-1824 Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent. The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.

     Related Artists::.
     | Ferdinand Leeke | Jan Portielje | CORNELIUS, Peter |


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